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SCRC Behind the Scenes

Archive for the 'Susan Kline' Category

Exhibiting Latin America with Regis Debray’s Revolution in the Revolution?

Thursday, February 21st, 2013

by Susan Kline, Grove Project Archivist The non-fiction books published by Grove Press often discussed, exposed, and debated social and  political movements and revolutions across the globe, including in Latin America. Grove gave voice to revolutionary writers, including French philosophy professor Regis Debray. Debray was arrested in Bolivia and convicted of rebellion, murder, and armed […]

Sneak Peek of new exhibition Strange Victories, Grove Press 1951-1985

Tuesday, January 15th, 2013

 by Susan Kline, Grove Project Archivist   SCRC’s newest exhibition, Strange Victories: Grove Press 1951-1985 opens January 17th. Here’s a sneak peak of the installation and this week’s exhibition related events. From left to right: co-curator Lucy Mulroney, exhibition intern Mengya He,    conservator David Stokoe and co-curator Susan Kline.     PUBLIC LECTURE WITH LOREN […]

The relationships within

Friday, November 2nd, 2012

by Susan Kline, Grove Project Archivist At Barney Rosset’s memorial service earlier this year, a tribute by Nobel Prize winning Japanese author Kenzaburō Ōe was read to the attendees. Ōe described his first meeting with Rosset and the sadness he felt upon hearing of Rosset’s passing. Ōe’s tribute bookends their nearly 50 year relationship.  Archival […]

Upcoming events: 2012-13 Ray Smith Symposium “Positions of Dissent”

Friday, September 7th, 2012

by Susan Kline, Grove Project Archivist The 2012–13 Ray Smith Symposium “Positions of Dissent” is grounded in the unique holdings of the Special Collections Research Center (SCRC) at Syracuse University Library. We believe that linking current scholarship in the humanities to tangible primary sources is of vital importance. Over the course of the academic year, […]

Cuban films…hypothetically speaking

Monday, August 20th, 2012

by Susan Kline, Grove Project Archivist Part of publisher Grove Press’ intention within its film division was to distribute foreign cinema to an American audience. Through Grove’s film rental program, audiences beyond the reach of the pre-existing art cinema houses of New York City gained access to experimental and cutting edge cinema. So, when Grove […]